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- adam parrish [the raven cycle],
- alcide herveaux [true blood],
- allison argent [teen wolf],
- buffy summers [btvs],
- cisco ramon [the flash],
- derek hale [teen wolf],
- felicity smoak [arrow],
- gracie cannell [original],
- isabelle lightwood [shadowhunters],
- katniss everdeen [the hunger games],
- lydia martin [teen wolf],
- matt murdock [daredevil],
- ronan lynch [the raven cycle],
- steve rogers [mcu],
- zatanna zatara [young justice]
Daycycle 116 [ November 13 - November 26 ]
daycycle 116
[Nov 13 - Nov 26]
[OOC Plotting for this Daycycle can be found here.]
[The Charity Ball Entertainment post is here.]
[This DC has been extended through 11/26.]
Early Morning [0800 - 0900] — All Troubleshooters Report for Duty
No Special Troubleshooters have been selected for a mission this morning.
Morning & Afternoon [0900 - 1600] — Service Firm Positions
All Troubleshooters not assigned a mission should report to their Service Firm for their daily duties, unless specifically assigned a different shift.
Matt Murdock's office will be assigned to defend the most recent Specials accused of treason. He will not be allowed to contact the traitors directly, but he will be given the task of preparing his cases. He has 48 hours to prepare.
Jack Harkness has been selected to plan the entertainment for tonight's Charity Ball, thanks to the popularity of his performances during the Alpha Talent Show a few days ago. When he asks The Computer for help, several specials are assigned to him. Izzy Lightwood will be his event planning assistant and "Stiles" Stilinski will assist in MCing the night's event. Due to their popularity, all Specials will be approached about being auctioned off for dances in order to help raise money by Jack, Izzy and Stiles. They will also be asked if they're willing to take part in specially planned choreographed dances. Dance lessons will be provided for those that require them during the afternoon hours.
Evening [1600 - 2200] — Citizen Improvement
All Alpha citizens are encouraged to better themselves through Alpha’s wide variety of educational, entertainment and cultural opportunities offered each evening. Attending these sanctioned events are not mandatory, but is highly encouraged by The Computer. Citizens choosing not to take advantage of these opportunities, have a growing number of other options available to them in how to spend their hard earned credits and free time.
Tonight’s event will begin at 1800 at the Alpha Museum of Fine Art and will be hosted by The Humanists Alpha Society for the Arts. Tickets to the event are 1000cr and can be bought up until an hour before the event begins. Attendees have been given special permission to wear Old Reckoning clothing for this event only, as long as it is the same color as their clearance level. Specials may notice that many of the Alpha Citizen's outfits have gotten key parts of Old Reckoning clothing wrong, with buttons instead of sequins, for example, or men wearing ties that are much too long and go to their knees. Alpha's Very Special Forces will be present to ensure the safety of those attending.
An entire wing of the museum has been cleared as a makeshift dance floor. In an attached room there are several tables covered in white tablecloths and set with the crystal and china that usually only graces Violet citizen tables. Along the wall is a massive buffet made with real food and including an elaborate ice sculpture. There is a bar in the corner where Alpha's finest spirits are being disbursed freely. For the first hour, the focus is on the food and mingling. The music playing is calming and instrumental. There are some that steal the dancefloor for a slow spin, but the majority of the attendees seem reluctant to move away from the buffet.
And then at approximately 1900, Jack Harkness will take the stage and begin the evening's real entertainment.
Alpha Curfew Restrictions
All Alpha citizens should be in their quarters within the Wagon Wheel by 2200, unless they’ve been given permission from a GREEN or higher clearance level citizen. Sleeping Aid gas is dispelled each night in the Wagon Wheel at 2200 to assist citizens in getting a productive sleeping period.
Confession Booths
There are hundreds of confession booths available around Alpha Complex if a citizen would like to communicate directly with the computer. Please use these confession booths to report mission statuses, report treason or terrorist acts, unregistered mutants, confess your trespasses against Alpha Complex, request propaganda or speak with Your Friend, The Computer, at any time.
Open | Throughout the day
afternoon
evening
charity ball
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Morning
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afternoon/evening
charity ball
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Charity Ball
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Open | Evening | The Ball
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Open | Throughout the day
afternoon/evening
charity ball
The Ball
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Open | Throughout the day
afternoon/evening
charity ball
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Open | Throughout the day
Lunch & Afternoon & Early Evening
Charity Ball
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Open | All Day
Afternoon
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Open } Throughout the day
Lunch & Afternoon
Charity Ball
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adam parrish | ota - (and possibly Ronan too)
He grabs a late lunch and eats it on his way back to his apartments to take a shower and get ready for the charity ball, which Ronan of all people has convinced him they should go to. It's something good, Ronan has said. It's something normal, Ronan has said. And given the advice of Parker, that crowds of people are safe, Adam is inclined to go of his own accord as well.
The attire for the night for Adam is simple. Adam isn't one for overdressing. He doesn't much care for suits. And about an hour into the charity ball his necktie will be loosened and the top button of his dress shirt unbuttoned to give his neck room to breathe. The cuts on his face are healing, the bruises a strange purple-yellowish color now. He'll be close to Ronan at all times, not quite ready to be on his own yet. However, there will be times when Ronan is distracted by beer or food that people can get Adam alone. Otherwise, be prepared for both boys being together.
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Open | Throughout the Day
Barry spends the majority of his day in the Forensics Lab trying to catch up on the work that has managed to pile up in his absence and with Lydia's departure to greener - or yellower- pastures. He can be found there buried under paperwork and lab samples until the clock strikes 1700.
Lunch [Closed to Felicity]
He makes a point of escaping his mounting tasks in order to walk down the hall to Encryption. He hasn't seen or heard from Felicity since returning and he can't help but think that has something to do with Oliver's disappearance yesterday morning.
He can only imagine how she's taking that. It doesn't help that he has to say her name twice once he reaches her cubicle and still doesn't get an acknowledgement. He moves a little closer, reaching out to put a hand on her shoulder. "Felicity?"
Afternoon
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Open | Charity Ball
To be fair, though, charity balls had always been one of those necessary evils that he never quite learned how to enjoy. Sure, some were fun sometimes depending on the woman (or man) that he'd spend his time with after making the necessary appearances, but for the most part... All of this reminds him of a part of his life that he isn't all that sure he even misses. He misses Rhodey, and Pepper, and Happy. He misses his houses, his bots, and his cars. He misses the freedom of being able to do whatever the hell he wants without being watched. But stuff like this - the social obligations and the weight that his name carries? He definitely doesn't miss that. At all.
Which, that part is actually refreshing; to be able to arrive and not have a hoard of paparazzi trying to drown him with the flash from their cameras. Tony always knows how to turn on the charm, he learned from a frighteningly young age how to hide any discomfort so that the public could only see the smiles and the charisma he seemed to ooze, but god he hated all of that most of the time. Scotch helped to numb him out from most of it, but now that he doesn't have scotch to drown in, at least he doesn't have to deal with the press trying to get shots of him.
He would still much rather be working, though. Ever since his conversation with Steve yesterday morning, Tony's mood had settled somewhere between cranky and down altogether, seemingly too focused on his work at Lydia's shop to even give himself breaks (and yes, he has most definitely been avoiding HQ as well), but since he had said he'd attend the ball... Well. Here he is. His hair has been styled back, and for the first time since arriving in this place, he actually doesn't hate his clothes. the suit he's wearing is something he doesn't mind wearing, and the tie at least covers most of the glow of the reactor, so that's a good thing in his book. He knows he'll probably be dancing for a while, if someone bids on him for it, so until that moment he kind of keeps to himself for the most part as he tries to just...focus on literally everything but the thoughts that keep running through his head.
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Open! Come ask him to dance!
While the original plan had been to wear a set of (extremely comfortable) red pajamas to this shindig, reluctant common sense - and a near-argument with Allison, who seemed a lot more "in tune" with fashion than he'd ever cared to be - had shifted Clint's sartorial finery in a much more "usual" direction. He'd still eschewed dressing up as much as he possibly could, though, which would be absolutely no surprise to anyone who'd known him at home (he'd come to most of Tony's parties wearing flannel, after all), but the PJs were just too big a risk in the "fuck you, Computer" department. Too standing-apart from everyone else. Significantly more likely to land him in trouble since he'd be going against the herd in a much more major way, especially after Peggy's arrest since he is - was - her coworker. But he'd put his foot down at a suit of any kind, with the results being a return of his usual flannel ways and a pair of well-fitting, but not tight, black khakis and solid-but-not-clunky black boots. He doesn't look fancy, but he thinks he looks all right. Pulled together, at the very least. Not disrespectful. Just someone who expects to do a lot of moving through the night and wants to be comfortable doing so.
As one of the ones reluctant to pull away from the buffet line, he can be found there for the first while, eating until he's comfortably full and then mingling as part of the crowd. After awhile, he'll move out into the more open spaces, looking for people to talk to and trying (and succeeding) to look more interested in being there than he really is. He might even be dancing sometimes, part of a deliberate ruse of showing the Computer how happy he is with all of this.
Hey, at least they get free food.
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After the ball... [closed]
After a few more drinks, Tony essentially stumbles out of the museum, liquored up to the gills, but it's not like he really cares. There's a brief moment where he looks back towards the door, contemplating on staying only because there's more booze he hasn't consumed just yet and clearly he's not drunk enough if he's still standing, but he can't do it. He can't stand even the idea of being in the same room as Steve anymore. He can't see him smiling, or dancing with others. He can't be there when he dances with someone for the 'last dance,' especially considering he had helped him practice, and Tony almost doubles over when he realizes for the millionth time just how damn stupid he had been.
But no, stupid isn't a good enough word for this. Because apparently Tony didn't have enough with letting Steven Grant Rogers break his heart once in a HYDRA bunker in Siberia; apparently Tony is enough of an idiot to let himself think that he could have actually--
"Maybe later … we can try out those dance moves you taught me. See if they’re any good."
Tony's breath catches in his throat, making him feel as if he's choking, but he lets out a sound as if it's supposed to be a laugh while he walks. Because it's laughable, isn't it? How could he have thought that Steve would actually feel anything for him? Not only that, but how could he have been so stupid to actually let himself feel anything for Steve? Even if no one would probably believe it, up until Siberia, there had always been a sense of admiration towards Steve. It's one of those things that Howard had all but embedded into his son and sure, it could have probably been considered a sort of crush, especially when he was younger, but it never felt like this. Ever since he and Steve have been trying to repair their friendship, for some goddamn reason Tony has found himself gravitating towards him in a way that he hadn't before, and now
And now it feels like his heart is in a million fucking pieces. The alcohol is helping to numb himself out to some degree, but it's not enough to stop that sense of suffocation from making him feel like he can't breathe. He wants to call Rhodey; he wants to get into one of his cars and drive away; he wants to just fly until he can't remember anymore, but he can't do any of those things.
Worst of all, he can't forget. He can't get out of his head the way that Steve looked at him. The way he was speaking, the way he suggested an actual dance. The way he didn't even flinch as Tony reached for his tie, other than to tell him that if he was going to pull on it then he should...
He can't forget the way he peeled away, as if realizing what he was doing. As if he had finally come to his senses, and had managed to cut Tony at his knees just by pointing out that he should go. The memory is enough to make his chest ache, as if the pain is more physical than anything else, but other than briefly massaging the spot next to the reactor as if that will make it go away, he doesn't stop walking. The anger, the frustration, the self disgust - it's all propelling him forward, far away from the fucking ball, no matter how sluggish his body feels.
It's not until he reaches the waterfront that he stops, but only because he has to. His body is swaying, the open air amplifying the effects of the alcohol, and god, he feels sick. It's hard to tell if it's from the impending hangover or if it's just at himself, but he leans against one of the railings and stares blankly out at the water.
If he jumps in, would he be able to just disappear and go back home? There's a moment of temptation that has him grasping onto the railing as if he's ready to fling himself over it, but he doesn't. Somehow he manages to stay in place, almost too quiet and still, but it doesn't last long. As he stares out at the water, he starts to hit his left fist against the railing, his movements almost robotic. It's slow at first, barely a tap that almost resembles a sort of anxious tic, but as everything that happened plays in his head more and more, he hits harder and harder. He probably looks deranged, but he doesn't care. It's the last thing he's thinking about. Especially when he finally hits hard enough for a sickening crack to fill the air around him, and the pain that explodes along his hand is enough to pull him out of his thoughts.
In some sick way, though, as he looks down at the way his hand is now shaking, it's almost satisfying to feel that pain. It's a distraction, in some way. And he caused it, rather than letting someone else hurt him all over again, and for now that's enough to calm him at least for a moment. He should probably go to Medical Services and get checked out, but he doesn't bother to walk back; instead, he just lowers himself to sit on the floor, staring out at the water as he rests his broken hand on his lap.
Maybe if he stays out here, it will finally clear his thoughts and he can get rid of the weight that is making it hard to breathe.
Maybe if he wishes it hard enough, he can finally go home before he has to wake up and live with this all over again.
Late, late evening. Closed to Natasha.
So Steve does what he always does when he’s at an impossible impasse with his own emotions. He compartmentalizes and marks it as something to process another day. Because right now, he can’t afford to abandon his post, physically or mentally. So he forces himself to be fine, literally willing into existence a sense of calm and normalcy that shouldn’t be there after what he’s just felt for the first time.
It just means that sometime later — maybe tonight, maybe tomorrow, maybe next week — it’ll come rushing back, probably when he’s alone. When it happens, he’ll probably forget how to breathe, he won’t be able to sleep, but to Steve … that feels like no price at all, if he can keep going now. He knows how this goes because he’s done it before, every time he loses a soldier, or a civilian. And if he can do it then, he sure as hell can do it after a confusing conversation with Tony. It feels almost easy, when he thinks about it from that perspective.
His auction, his first dance, going back on duty, announcing the raffle, going back on duty again, dancing with whomever asks, and finally, pulling a name out of a hat. It feels never ending as he’s being handed off from one person to the next, but Steve smiles and nods and listens to everyone. Why wouldn’t he, when there’s absolutely nothing wrong?
A few times that night, he catches a glimpse of Tony from across the room and his eyes follow that red suit to the bar, and he keeps looking because Steve just wants to make sure that Tony's-
-what? That he’s okay? or that the bar’s still open and they’re letting Tony get yet another drink?
A lot of people have seen Stark drunk before, but Steve isn’t one of them, and the more drinks he sees Tony knock back, the more worried Steve gets. At some point, the concern is almost enough to propel him across the room. He wants to grab Tony by the arm and tell him to stop drinking. That he’s had enough liquor for one night. That if Tony’s doing this because of something he’s said, he should know that he isn’t worth the trouble.
But he can’t do it. He can’t risk getting that close again. Tony will be fine, he tells himself. He'll say something to someone, and Tony … Tony has always been absolutely fine without him.
In the end, Steve’s caught between feeling like the night goes on forever, and that it’s gone by too fast, because when he actually leaves the Charity Ball, his feet carry him quicker than he intends them to. He can already tell that it won’t take a week, or even a day for his body to force him to feel what he’s been neglecting. Hell, apparently it’s going to happen right now, and he needs to be somewhere else when it crushes him.
When he’s back at the Wagon Wheel, instead of getting off at GREEN, Steve keeps going until he exits on the outdoor track attached to one of the highest floors of the building. The view at night is breathtaking, especially after curfew, but Steve isn’t here for that. He’s here for the solitude, for the cold air, and for the relentless wind he’s counting on to pierce his skin.
He’s not ready for this. But at least he can be alone when it happens.
As soon as the door closes behind him, Steve walks to the railing and suddenly, he has to grab it just to keep himself from shaking. His next inhale is sharp and clipped short by a sudden feeling of panic.
What’s wrong with me?
His fingers go to his tie, tugging it loose and undoing it after all the people who felt compelled to touch it today without so much as asking. When he finally pulls it off, he stares at it for a moment before wrapping it like gauze around his right hand. What Steve would give for a punching bag right now.
But he doesn’t have one, and Steve can feel his eyes starting to blur.
As much as he doesn’t want to, he can still remember it — the moment he’d imagined how it’d feel to taste the alcohol on Tony’s lips. It hadn’t really been hard to come up with a flavor. It’s idiotic, but Steve couldn’t imagine Tony as tasting anything other than sweet. And god, he’d nearly leaned in and kissed him. How the hell is it even possible that a desire like that could sneak up on you? Unless-
Unless it hadn’t. Steve laughs, as he wipes away the moisture in his eyes with a finger. He sees and feels it now, all his childishness and foolishness. He did this to himself. It’s no one’s fault except his.
Friendship, that’s what he’d told himself he wanted. That’s why he tried this hard to make things right, and if he was being fair, that’s how this all started. All he’d wanted was to make up for breaking Tony’s trust, and for keeping from him who killed his parents and why. To do that, Steve started paying attention to Tony in a way he’d never done before — bringing him coffee, giving him a place to rest, making him real food to eat. But it was really their circumstances here that made him look at Tony differently for the first time.
Steve had never actually imagined there would be day in which he and Tony would switch places in the world. That he’d have more money and a bigger spotlight and Tony would be trying to blend in and work silently for the good of the cause. It was a humbling experience (and that was putting it lightly) because frankly, Steve had never thought that Tony could do it. Live without the fame and fortune. But not only was he doing it, he didn’t crack jokes, he didn’t whine, he didn’t even complain, and day by day, Steve realized that beneath all the money and charisma that Tony liked to hide behind back home, there was a person beneath it all that he’d only seen glimpses of before. And as Steve felt his feelings mixing and re-arranging, he’d built a wall around himself, and with each day, he’d cemented one rationalization after another that yeah, friendship was what this was all about.
In retrospect, the idea that everything he felt was simply friendship was laughable, a theory that could be pulled apart as easily as cotton candy. But now, while he can refuse to think about it, Steve can’t deny it any longer. He wants to push and shove what he’s feeling into the furthest corner of his heart, but if there’s something to shove to begin with, then the feeling is already real. Undeniably, unmistakably real.
God, he sees the allure of wishing that none of this was. He can imagine how it’d feel to wish this was some kind of mistake. To wish that somehow, he’d been drugged again and that just maybe, this feeling is just a blip on the radar and that come tomorrow, the waters would be clear once more. In a way, being able to wish those things would have been it’s own kind of morbid relief. At least then, he’d be able to know that he doesn’t want this — and that he doesn’t want this so much so that he’d be willing to deny reality to do it.
But he can’t. He doesn’t want to wish it all away, and the thought makes Steve so angry at himself, because then what the hell does he want? Why had he walked away? What was he so damn afraid of?
His hands are gripping so tightly onto the railing now that his knuckles have turned white. The wind is picking up and it’s cold, and Steve closes his eyes and laughs in frustration because god, even feeling cold reminds him of Tony. But before he can even recover from the images of that memory, he feels a sharp sense of shame impaling his chest.
There’s a difference after all, between knowing what’s right and coming to grips with yourself.
Growing up in alleyways of the 1930s and 40s meant Steve saw a lot of things, including hate crimes, not that they’d called them that back then. But he saw people getting beat up for a lot of reasons, sexuality being one of them. What’s wrong with you? he'd hear someone yell, before the fists rained down, and Steve had always been too committed to righting every wrong he’d ever witnessed not to interfere. That usually means he got beat up too, for telling someone to stop. But that stopped him from interfering again, and again. He always got back up.
The hard part back then, was what came after. When someone would thank him for trying, and he’d tell them he was “Just tryin’ to do what’s right.” And “C’mon, let’s get you outta here.” Everyone deserved to be safe, but Steve never did anything past that. The government had told them that being attracted to someone of the same sex was an illness. That it was something that you were supposed to go to the doc for and recover from. It wasn’t until after battle of New York that Steve had learned otherwise. That back then, the government had gotten it wrong and that hell, they might have even made it all up to begin with.
But that part of it — the part where Steve believes that everyone deserves to be who they are, and to feel safe and treated with the decency and respect — that’s not what’s up for debate tonight, nor will it ever be. That belief isn’t what’s making him so mad.
No, not mad, furious. And that anger starts with the fact that suddenly, he feels small and wheezing and weak, like he’s laying bloodied in the back of some alley wondering why God made him this way. Whether he wasn’t good enough to fight for his country. Whether he really was a mistake. And he’s struggling, struggling so hard to get up, to stand his ground, but this time, there aren’t any bullies to fight.
There’s just him, and he’s delivering the beating to himself this time.
Ha, Steve laughs when he realizes it, swallowing as his eyes start to blur again. It's not being weak that makes him angry. It’s the fact that he can see the right path — hell he can even see the righteous path right in front of him, and for some stupid reason, he can’t take it. In his head, Steve knows there’s nothing wrong with him. That this isn’t his fault. That god, this isn’t even a fault , and that he shouldn't doubt himself, or doubt his friends by doubting their reactions.
He inhales quickly, a silent sob escaping his lips as just a breath of air.
There really is a difference after all, between standing up for what’s right and accepting who you are. Steve’s spent his entire life doing the former. He has no practice when it comes to the latter. And try as he might, Steve Rogers isn’t perfect, even if that’s what a lot of people want to see when they look at him.
There’s a moment of calm when everything seems to stop. His thoughts and his heart are calming down, so tired from the race they’ve been running against each other, and Steve gets a chance to just close his eyes.
All his life, he’s just been waiting for the right partner, simple as that. Waiting, not looking. Maybe it's a little old fashioned, but Steve has always believed that when the right person came along, he'd be able to tell. Even if it would take him a little while.
It just never occurred to Steve that that person might be Tony. Someone who’s been right in front of him this whole time. Something clicks, in the back of his head when he thinks of it like that, but that puzzle is meant to be solved another day. Today, he’s shaking his head, brow furrowed, eyes still closed and hands still gripping onto the metal rail too forcefully. There’s a reason why his original plan was to wait. Steve doesn’t have the time or the interest to go looking for love. In the grand scheme of things, his own personal feelings are just background noise, unimportant in the light of everything that’s bigger and more deserving of his attention. And that’s where his attention needs to be right now. He’ll give himself the rest of tonight, and that’s it. He can stand here and die in the cold for all he cares. Come tomorrow, he’ll walk death off, and get to work on breaking those four Specials out of that damn prison.
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