fixedpointintime (
fixedpointintime) wrote in
alphalogs2016-11-15 06:03 pm
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Entry tags:
- [daycycle 116],
- allison argent [teen wolf],
- bucky barnes [mcu],
- cisco ramon [the flash],
- derek hale [teen wolf],
- emma swan [once upon a time],
- isabelle lightwood [shadowhunters],
- jack harkness [torchwood],
- lydia martin [teen wolf],
- primrose everdeen [the hunger games],
- steve rogers [mcu],
- tony stark [mcu]
Charity Ball
WHO: The well dressed and ready to party of Alpha Complex
WHAT: being well dressed and partying?
WHEN: daycycle 116, 1800-2200 hours
NOTES: There will be dedicated threads for the big pillars of the Ball, but feel free to make your own top level if you want to. You can use the account
sweetcharity to RP as NPCs at the ball. The Game NPC journal is also been made available by Sam. Information on how to access both can be found here.
ADDITIONAL NOTE: All raffles/auctions/sign-ups/whatever will end when the daycycle is over. All basket raffles, dance raffles, and the winner of the dance contest will be decided with RNG and I will comment with the winners.
NEW! The dance auctions seem to be wrapping up on their own as they reach a natural conclusion, so we'll just use that method. If you need an NPC, let me know and I will try to find you one.
-------------
The mingling portion of the ball lasts for about half an hour. The band playing light instrumental music that doesn't so much encourage dancing as it does give people ample opportunity to enjoy the buffet, browse the items available in the silent auction and the baskets for the raffle, and get a good eyeful of the various Specials in attendance, who they're with and what they're wearing. It'll be important later on.
On one side of the room, tucked out of the way but under a prominent sign, is a table where couples can register to be part of a dance contest with the promise of an exciting mystery prize for the winners.
Along a back wall, small round tables are lined up and showcasing items donated for a silent auction. There are a mix of actual physical items, as well as less tangible experiences, and bids are made on electronic input pads set up in front of each item, and using a citizen's ME card. Funds will be automatically deducted for each item won. Groups can bid on items together that the individuals might be otherwise unable to afford on their own. Physical items and vouchers for experiences will be delivered next daycycle.
In addition, there are a few baskets that will be raffled off during the evening. Winners need not be present to claim a raffle prize. Each basket has a theme, and tickets can be purchased at any time for five credits each using your ME card.
At 1830 hours, Stiles silently slips through the crowd, placing a lavish setee in front of the stage. Once Stiles is gone, Morgana makes her way over and sits on it. As soon as she's settled, the pre-recorded music dies down, then swells again in a new song. There is no formal announcement of the beginning of the entertainment, Jack Harkness simply crosses the dance floor, moving through people when he has to, and he and Morgana perform a choreographed waltz routine. Half way through the routine, a curtain on stage is pulled back to reveal a bandstand of actual live musicians, each wearing a suit jacket or dress of their clearance level. Yes, it's a bit of an eyesore, but they sound fantastic. Besides, people are meant to be watching Jack and Morgana.
Once the routine has got everyone's attention, Jack will activate a lapel mic and welcome the crowd to the evening's event. Someone will bring him the jacket for his suit, a suit so orange it's almost painful. He thanks Morgaga, kisses her hand, and then the band takes their cue and the music abruptly takes a turn for the upbeat. Jack encourages everyone onto the floor to learn a few line dances. Volunteers (including Stiles) will move through the crowd, encouraging people to join in as those in attendance are taught the hustle, the time warp, the YMCA, and yes, the unkillable chicken dance. Stiles will start a spirited conga line around the room while Jack sings Copacabana.
Around 1915, now that the crowd is good and energized, Jack will draw attention to the area available to sign up for the dance contest, and remind everyone that the silent auction and raffle tables will be open until the end of the evening.
He'll also be joined on the dance floor by Isabelle Lightwood, and the two will perform a tango routine in order to encourage bids for the auction prize of a private dance lesson with the pair of them. Anyone who doesn't want some one on one time with Izzy after seeing her in that dress is obviously insane. Jack will also follow this with the exciting news that the celebrity judge for the dance contest is none other than Alpha's beloved Teela O'Malley. All couples who have signed up will receive their numbers, and be asked to take the floor, giving spectators the chance to eat and to spend even more of their money on bids and raffle tickets. Couples will be eliminated by Teela, moving through the crowd, until only one remains. Their prize is an appearance on Teela's show, during Jack's opening section, on daycycle 118.
At about 2000 comes the part that quite a few specials won't enjoy. They haven't quite raised the funds he was hoping for yet, and Jack is auctioning off dances with Specials. As bidding progresses, he may attempt to persuade them to give even more of their time in an effort to drive the bidding higher. A few Specials have agreed to help out in this way ahead of time, and quite a few more will be talked into it on the spot. The rest of the evening will be peppered with Jack stopping the music to auction off a few more dances.
2100 brings a new idea from Steve that the specials aren't going to like any more than the dance auctions, the last dance raffle!. Which is really just an excuse to get the maximum number of Specials up on stage, through all of Jack and Steve's combined charisma and manipulation, for one last big fundraising push.
[[OOC: It should be noted that everyone who has helped Jack with the planning and execution of the Charity Ball, including anyone who took part in a choreographed dance routine, will not only get into the Ball for free, but will be able to come to the wrap party the next day after Teela's show, where even more real food and alcohol will be available. If you want your character to have a choreographed routine, or to otherwise contribute to the evening, you still have plenty of time to let me know.]
Formal Wear! In alphabetical order: Cisco Ramon, Jack Harkness, Lydia Martin, Natasha Romanoff, Primrose Everdeen, Steve Rogers, Tony Stark
WHAT: being well dressed and partying?
WHEN: daycycle 116, 1800-2200 hours
NOTES: There will be dedicated threads for the big pillars of the Ball, but feel free to make your own top level if you want to. You can use the account
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
ADDITIONAL NOTE: All raffles/
NEW! The dance auctions seem to be wrapping up on their own as they reach a natural conclusion, so we'll just use that method. If you need an NPC, let me know and I will try to find you one.
The mingling portion of the ball lasts for about half an hour. The band playing light instrumental music that doesn't so much encourage dancing as it does give people ample opportunity to enjoy the buffet, browse the items available in the silent auction and the baskets for the raffle, and get a good eyeful of the various Specials in attendance, who they're with and what they're wearing. It'll be important later on.
On one side of the room, tucked out of the way but under a prominent sign, is a table where couples can register to be part of a dance contest with the promise of an exciting mystery prize for the winners.
Along a back wall, small round tables are lined up and showcasing items donated for a silent auction. There are a mix of actual physical items, as well as less tangible experiences, and bids are made on electronic input pads set up in front of each item, and using a citizen's ME card. Funds will be automatically deducted for each item won. Groups can bid on items together that the individuals might be otherwise unable to afford on their own. Physical items and vouchers for experiences will be delivered next daycycle.
In addition, there are a few baskets that will be raffled off during the evening. Winners need not be present to claim a raffle prize. Each basket has a theme, and tickets can be purchased at any time for five credits each using your ME card.
At 1830 hours, Stiles silently slips through the crowd, placing a lavish setee in front of the stage. Once Stiles is gone, Morgana makes her way over and sits on it. As soon as she's settled, the pre-recorded music dies down, then swells again in a new song. There is no formal announcement of the beginning of the entertainment, Jack Harkness simply crosses the dance floor, moving through people when he has to, and he and Morgana perform a choreographed waltz routine. Half way through the routine, a curtain on stage is pulled back to reveal a bandstand of actual live musicians, each wearing a suit jacket or dress of their clearance level. Yes, it's a bit of an eyesore, but they sound fantastic. Besides, people are meant to be watching Jack and Morgana.
Once the routine has got everyone's attention, Jack will activate a lapel mic and welcome the crowd to the evening's event. Someone will bring him the jacket for his suit, a suit so orange it's almost painful. He thanks Morgaga, kisses her hand, and then the band takes their cue and the music abruptly takes a turn for the upbeat. Jack encourages everyone onto the floor to learn a few line dances. Volunteers (including Stiles) will move through the crowd, encouraging people to join in as those in attendance are taught the hustle, the time warp, the YMCA, and yes, the unkillable chicken dance. Stiles will start a spirited conga line around the room while Jack sings Copacabana.
Around 1915, now that the crowd is good and energized, Jack will draw attention to the area available to sign up for the dance contest, and remind everyone that the silent auction and raffle tables will be open until the end of the evening.
He'll also be joined on the dance floor by Isabelle Lightwood, and the two will perform a tango routine in order to encourage bids for the auction prize of a private dance lesson with the pair of them. Anyone who doesn't want some one on one time with Izzy after seeing her in that dress is obviously insane. Jack will also follow this with the exciting news that the celebrity judge for the dance contest is none other than Alpha's beloved Teela O'Malley. All couples who have signed up will receive their numbers, and be asked to take the floor, giving spectators the chance to eat and to spend even more of their money on bids and raffle tickets. Couples will be eliminated by Teela, moving through the crowd, until only one remains. Their prize is an appearance on Teela's show, during Jack's opening section, on daycycle 118.
At about 2000 comes the part that quite a few specials won't enjoy. They haven't quite raised the funds he was hoping for yet, and Jack is auctioning off dances with Specials. As bidding progresses, he may attempt to persuade them to give even more of their time in an effort to drive the bidding higher. A few Specials have agreed to help out in this way ahead of time, and quite a few more will be talked into it on the spot. The rest of the evening will be peppered with Jack stopping the music to auction off a few more dances.
2100 brings a new idea from Steve that the specials aren't going to like any more than the dance auctions, the last dance raffle!. Which is really just an excuse to get the maximum number of Specials up on stage, through all of Jack and Steve's combined charisma and manipulation, for one last big fundraising push.
[[OOC: It should be noted that everyone who has helped Jack with the planning and execution of the Charity Ball, including anyone who took part in a choreographed dance routine, will not only get into the Ball for free, but will be able to come to the wrap party the next day after Teela's show, where even more real food and alcohol will be available. If you want your character to have a choreographed routine, or to otherwise contribute to the evening, you still have plenty of time to let me know.]
Formal Wear! In alphabetical order: Cisco Ramon, Jack Harkness, Lydia Martin, Natasha Romanoff, Primrose Everdeen, Steve Rogers, Tony Stark
no subject
Whatever the answer to that question is, Tony doesn't even try to find it. Not when Steve is speaking again, and he's... Is he seriously suggesting...
It's stupid, that it's that suggestion what makes Tony feel almost hopeful, in some sort of way. Which isn't what he wants (even if he does) because he doesn't want to get hurt. He doesn't want to open himself up for this, because there's such a big part of him that is still doubtful that Steve could possibly feel...this. Any of this. Tony remembers with frighteningly clarity how Howard had reacted the night that he had discovered that his only son was fooling around with someone of the same sex. He remembers the beating he had received - hell, he still has the markings to prove it - and in a lot of ways it has shaped how Tony has carried himself to the world in terms of his sexuality. He's not shy to admit when he finds someone attractive, whether it's a man or a woman, but he has never had a public relationship with any men before. He has slept with them, he has even dated them, but publicly? No. He had been the CEO of Stark Industries, after all. He had a reputation to keep in front of his father's military buddies, and his company had the biggest weapons contract that the United States Military could draw up; how could he have even considered going public with any of it?
And now he's here, all but flirting with America's Sweetheart, the man that essentially represented the military - the man that Howard himself never shut up about, and it feels like such a hopeless thing to do. His brain is screaming how this is a disaster, this can't possibly work out. How could it? And even if Steve feels what he does, should Tony even trust him? He's trying, he has been working on trusting him again, but apparently trusting him ended up meaning...something else. Something that is making his insides twist. Something that is making it hard to breathe, especially when he notices how Steve is looking at his lips, and--
And just like that, it's over. The smile that had been playing on Tony's lips, especially at Steve's suggestion about trying out the dance moves they had practiced, falters and it feels like he has lost his balance all at once. Because for some reason he had thought this would go differently. Because, seeing Steve not move away, had made him think that maybe something else would happen, but... But this had been what he had been expecting, right? This shouldn't be a surprise.
Still, even if he had been expecting it, it still feels like someone has just punched him right in the chest. It even makes him tempted to look down, as if to check if the reactor is still working because it feels like his heart isn't working right, but he doesn't. He's being a drama queen, he can hear Howard sneering in his ear. How could he have thought any of this would--
No, he reminds himself. It doesn't matter. It doesn't matter, even if when he tries to nod it feels like he's imploding. It doesn't matter, even if he can't quite hide the way his eyes lose a little bit of the sparkle that he had been floating on, but he pretends to smile. As if this is okay, as if it's not a big deal.
As if this doesn't matter, even if the way it stings says otherwise.
"Yeah," he says with that fake smile that he tries to play off as the real thing, and he tucks his hands into his pockets as he steps back. It's a silent gesture, as if to remind himself that this had been stupid. Reaching out for his tie had been stupid. Thinking that this could be different was entirely idiotic, and Tony hates himself for it all over again. His voice is still quiet, but now it's mainly to hide how his throat feels as if it has closed up on him. "Have fun with that."
Without another word, he turns around and walks back into the crowd. To find a distraction, or maybe more booze; all he knows is that he needs to stop thinking. He needs to make this stop before it drowns him completely, even if it already feels as if it's too late.